Tuesday, June 11, 2013

SIFF 2013 Final List

   
This is the final List!  The first part is a ranking of the films I saw.  The second is an alphabetical list with my comments on each film.  It was a great festival!  Many of these films are showing now or available through Netflix or at Scarecrow video.  Many more will be coming out in the next year.  Search for the ones you’d like to see!

MUST SEE
Anita***** 
EPIC*****
THE WALL*****


GREAT
SOMM****


GOOD
Ali***
JUMP***

OKAY
C.O.G.***
BWAKAW***

NOT RECOMMENDED


2013 opinions:
Director:
Samit Kakkad
Principal Cast:
Sachin Khedekar, Amruta Khanvilkar, Ganesh Yadav, Raqesh Vashisth, Vivek Chabuksvar
Country:
India
Year:
2012



Bollywood full on.  An absolutely stupid plot that just gets more stupid as it goes along until the altogether stupid ending.  However, the dancing is great!  I mean really, really great.  Particularly at the beginning - this movie is worth seeing to just for the opening number with boys dancing in every possible environment to truly fabulous music.  After that, it’s not so much worth it.  If you can get hold of the trailer for this movie, that’s what you should watch.


France/USA 2012, 74 min
Director:  Judith Lit   
  
The woman who created this doc grew up on a farm in Pennsylvania and now has chosen to move to a small farm in a small village in France. She became so enamored of her neighbors that she decided to film them. You can see her love as we explore the lives of these amazingly diverse villagers and their equally diverse farms. Some bits are horrifying, some charming. I don't think this film is clear about who it wants to be when it grows up, it has moments of socio-political commentary about the plight of the small farmer, and moments of exploratory narrative, but it's mostly a peep into some lifestyles you might not otherwise have known existed. 

USA 2013, 105 min
Director: David Lowery
Cast: Rooney Mara, Casey Affleck, Ben Foster, Nate Parker, Keith Carradine 

 This is a beautifully shot movie, sumptuous and rich in tone and color. I loved looking at this movie so much that I didn't really care what happened or where the story went. That's probably just as well, since the story, for me, was actually quite thin. I'm not sure i mean that as a criticism, as the smallness of the story presented in this full, lush setting kind of works. What I didn't enjoy was the inevitable ending that I've seen far too many times. I was hoping for something at least a little new and different, but, as I say, this soul filling visual meal is still well worth it. 

>>>Ali***
Director:
Paco R. Baños
Principal Cast:
Nadia de Santiago, Verónica Forqué, Julián Villagrán, Adrián Lamana, Angy Fernández 
Premiere Status:
North America
Country:
Spain

Essentially a fluffy movie, it's still enjoyable for the characters and characterizations of the mother and daughter and their relationship.  There are moving moments and movement and quite a few very funny bits.  Nothing stuck with me, but it's good entertainment.

Anita*****
Country: USA, 2013
Director:
Freida Lee Mock

This is a great, captivating documentary about Anita Hill -  what happened then and where she is now. As well as being distressing and pause-giving, it is also heartening and relieving and very informative.

>>>Bitch Hug***
Director:
Andreas Öhman
Principal Cast:
Linda Molin, Fanny Ketter, Mathilda von Essen, Adam Lundgren, Fabian Fouren
Premiere Status:
North American
Country:
Sweden
Year:
2012

This is a friendship love story that is almost great. I loved lots of this and particularly loved the characterizations of the two girls.  The plot line is fun and funny, and really lends itself to an enjoyable romp that then goes deeper.  It doesn’t get there, though, because the timing is off, too much time spent some places and not enough in others. It may be the translation that made it bumpy and uneven, or it just was bumpy and uneven.  Still a film to see, though, for the two performances and their stories, as well as to get a sense of how a young Swedish girl might perceive New York City.
 
>>>Bling Ring****
Director:
Sofia Coppola
Principal Cast:
Emma Watson, Taissa Farmiga, Israel Broussard, Katie Chang, Claire Julien
Premiere Status:
North America
Country:
USA
Year:
2013

Quite a creepy story that sends you on a journey thinking about your young adult life and, perhaps, your own young adult children.  I say this because I talked to quite a few people after this film (the closing night gala of SIFF), and that’s what people were thinking about.  While it’s horrifying to imagine these young people so completely disconnected from reality and morality, it’s all the more horrifying to consider that all people that age live at some degree of this non-connectivity.    Entertaining with great acting and brilliant directing, the film, as is true of all of Sofia Coppola’s films, is a gem.

Germany
Director:

Thomas Riedelsheimer

It's a very precious thing, a film about art. You must hold it gently and humbly with limitless honesty.  You must be able to present the topic and the artist's ideas exactly as the artist being depicted might. I know this, because this film does all that and it's of the best I've ever seen. So beautifully shot, it comes just short of taking your breath away, choosing, instead, to inspire long slow intakes of breath. Like wafting wind, sometimes flipping quickly this way and then that, other times passing straight and true and then slowing and resting finally on the open and amused eyes of a child. 

BWAKAW***
Director:
Jun Robles Lana
Principal Cast:
Eddie Garcia, Rez Cortez, Armida Siguion Reyna, Gardo Versoza, Alan Paule 
Country:
Philippines 

So sad. I know this story needs to be told, but I truly feel complete with stories about people who are left wrenchingly alone because of their sexuality. This one starts sad, makes some pretense at humor and then ends even sadder. Beautifully shot, even more beautifully acted by its lead actor, it's a story that should have had its day. Selfish, I know. 

C.O.G.***
Director:
Kyle Patrick Alvarez
Principal Cast:
Jonathan Groff, Denis O'Hare, Corey Stoll, Dean Stockwell, Casey Wilson
Country:
USA
Year:
2013

A disappointingly depressing and cynical story. I know that's the way David Sedaris writes his stories, but they don't come off quite so charmlessly  when he tells them. It's still worth watching for the performances, and it was also a tad bit nostalgic for me as I dropped out of college to go pick apples as well. 

Chile, 2013, 98 min
Director: Sebastián Silva
Cast: Michael Cera, Gaby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva

Interesting combining of characters in this decidedly American film from Chile.  Michael Cera continues his career playing a neurotic, disassociated irritant, so I had to quickly dismiss him as a gnat (stole that from Bernadette* for whom I will always be grateful).  The 3 young Chilean men are lovely and charming, each in their own way, and Gaby Hoffmann is a delightful (though sometimes equally irritating) specimen.  You'll remember her as the little girl with a fateful hotdog in Field of Dreams.  She threw herself into this role, and I felt she almost got there.  The camera did truly love her and I am praying she continues her work as an actor, just so I can keep watching her and marveling at her loveliness and bravery.  


Iceland/Norway, 2012, 95 min
Director: Baltasar Kormákur
Cast: Ólafur Darri Ólafsson, Jóhann G. Jóhannsson, Björn Thors,Theódór Júlíusson, Þorbjörg Helga Þorgilsdóttir

This film is stunningly shot and a very real feeling slice of one man’s life.   I enjoyed the experience very much. I’ve never seen a film from Iceland that wasn’t bleak and cold. This certainly didn’t change the cold part of that trend for me, but there was something very warm coming from the filmmaker that spread across the screen. I think, also, that it just took cold and bleak so far, you had to squeeze your own eyes and fists, as the hero of this film does, and find your way to something solid and huge and amazing and whatever else the opposite of bleak is. Watching this, just like the islanders in this film dig themselves out from under fathoms of black ash, you travel from the dark to the light.

Country:
Hong Kong , 2012


Language:
Mandarin, Cantonese
Director:
Johnny To

As you might expect from Johnnie To (or even just from the title), this is a shoot-em-up movie with lots of blood and death.  Given that, however, the movie is actually quite compelling with a plotline that works and keeps you wondering how in the world things are going to end up.  I give it the low rating simply because I don’t really enjoy blood baths, but I came close to enjoying this one…

EPIC*****
USA
Director:
Chris Wedge
Principal Cast:
Voices of: Amanda Seyfried, Josh Hutcherson, Beyoncé Knowles, Christoph Waltz 

I remember the audience gasping at the beauty and imagination of the scenes at the beginning of Avatar. This happens often in this delightful, animated adventure as well. Additionally, however, are charming chucklings and belly laughs. In many ways this film goes where Avatar should have gone. Though there are still, disappointingly, bad guys and good guys, at least the bad guys make a little bit of sense in this natural world and are definitely not vanquished through mere violent reaction, as they are in Avatar.  Go see this,  sit back and enjoy the sheer beauty, innovation, creativity, warmth and humanity of this best of the best film. 

Director:
Benjamin Renner, Stephane Aubier, Vincent Patar
Principal Cast:
Pauline Brunner, Anne-Marie Loop, Lambert Wilson
Country:
France
Year:
2012

An animated charmer. Great drawings. The story is original and lovely with a somewhat pat ending, of course, but it takes many creative and unexpected turns to get there. 

Director:
Riley Morton
Principal Cast:
Rick Steves, Alison Holcomb, Pete Holmes, Vivian McPeak, Doug Hiatt 
Premiere Status:
World
Country:
USA 

As someone who voted yes, I was taken by surprise that there was conflict around Initiative 502 in 2012 for legalizing the use of marijuana.  Not the conflict between those who think it should be legalized and those who don't, but those who think the initiative won't result in legalizing the drug and could make things tougher in the short run.  Interesting and compelling footage and head-talking make this an important film, rather than a funny one (ha ha, those silly potheads).  Just to understand the processes and compromises involved in trying to get a whole country-full of people to agree on something that seems pretty obvious.  

Director:
Paolo Virzi
Principal Cast:
Luca Marinelli, Thony, Micol Azzurro, Claudio Pallitto, Stefania Felicoli
Country:
Italy
Year:
2012
A transcendent love story about a couple trying to have children. Charming, poignant, and satisfying. The performances by the two leads in this one take it over the top. I'd recommend this one to anyone. 

>>>Filmistaan****
Director:
Nitin Kakkar
Principal Cast:
Sharib Hashmi, Inaamulhaq, Kumud Mishra, Gopal Dutt, Sanjay Mehta 
Country:
India
Year:
2012 
The main character in this film is just as charming as can be and keeps you involved from the beginning.  As the film progressed, it pulled me in and had me very much rooting for the two men trying to break out of their prisons.  It is very much a love story between these two, and it is not an easy story, despite its comedic affect.  For a brief introduction into cultural issues and a tiny, mostly humorous peek at some of the ideological conflicts between India and Pakistan this is a crack between the bricks.

>>>Full Circle****
Director:
Zhang Yang
Principal Cast:
Huanshan Xu, Tianming Wu, Li Bin, Bingyan Yan 
Country:
China
Year:
2012 

I think some people might find this movie off-putting because of the potentially exploitive use of the elderly as cutesy or a joke's butt end, however, sticking with this one is well worth it, in my opinion. Particularly for the brilliantly creative skits this group of people perform in the course of their story. Those images are staying very pleasantly with me. 

Director:
Barbara Miller
Country:
Switzerland
Year:
2012


This is a very informative and hopeful documentary about three women from three different countries with oppressive governments who are making a difference through blogging. It combines well with the other two documentaries about the Internet from this year's SIFF, Terms and Conditions May Apply and 
Out of Print,  as a third, positive spin since these two are rather dire. 

USA, 2012, 86 min
Director: Noah Baumbach
Cast: Greta Gerwig, Mickey Sumner

I found myself quite choked up at the end of this film, I’m guessing because it really was a heartbreaking story of friendship love. We leave so little room for this relationship in our culture, yet it is the richest and most diverse connection we have. That said, really this is mainly a movie about a quirky, slow to mature young woman who you kind of like and often find quite irritating. I’m still thinking about her, though… Some fun cameos, some uncredited, so I can’t tell you who they are, but will, instead remember in the middle of the night tonight. One that is credited is Grace Gummer in a lovely, bitchy role – another of Meryl Streep’s talented children.

USA 2013, 80 min
Director: Amy Finkel   

 This film doesn't pull any punches as it presents the various ways people have chosen to preserve their deceased pets.   Amazingly, for me, good arguments are made for most of these choices, though it is still apparent that the filmmaker is not convinced any of the more extreme choices are a good idea.  It's interesting and thorough, a very good documentary, and proves itself so by pushing a number of buttons.  It's not high on my list because, in the end, it's pretty hard to watch and doesn't really edify despite the difficult imagery.  An interesting side note for those of us Seattle lesbians of a certain age, Pepper Schwartz, UW sociologist who researched, among other things, lesbian sexuality in the 70s (some of her conclusions still controversial), is used extensively in this film as an expert on human-pet relations.  Not sure how she got the gig, but there you have it...  

Canada
Director:
Yung Chang
Principal Cast:
Narrator: Bill Pullman 



I spent this whole movie salivating. I even noticed my mouth moving in concert with the various fruit lovers in this film as they took their slow, luscious bites of the pulpy, mysterious interiors of just-picked wonders. I hoped no one could see me in that dark theatre.  So, food porn, for sure. Then there's the politics and the informative aspect of this documentary about people out to preserve exotic fruit. So much to learn about this movement. This film is a great start. We follow a number of different groups, besides hearing from folks at a rare fruit convention, there’s another group in LA led by Bill Pullman pulling together experts and friends to create a neighborhood orchard, then some botonists attempting to preserve various tropical fruits through grafting, recognizing that small villages in rain forests aren't going to necessarily be motivated to save the last of a particularly rare mango tree, another, a banana farmer in Central America working with genetics to create more variety in the marketable banana.  Lots to know and learn, but mostly to scoop out and put in your mouth and roll it around and swallow.

Director:
Silvio Soldini
Principal Cast:
Pierfrancesco Favino, Claudia Gerini, Alba Rohrwacher, Luca Zingaretti, Valerio Mastandrea


Country:
Italy
Year:
2012


A sweet Italian comedy that gets sweeter as it goes, but never crosses the line into schmaltz. Epitomizes the feel-good film with a couple of quirks all its own. Another of this director's films, "Bread and Tulips", is one I remember well as an equally sweet and endearing portrayal of regular people engaged in their lives in a most compelling way.  I don't love the title of this which is references a statue in an Italian city square who waxes poetic throughout the film.  The Italian title, The Commander and the Stork, captures the mood a bit better for me.

Director:
Tien-hau Hua
Country:
Taiwan
Year:
2012
Running Time:
75 minutes
Producer:
Yi-ying Lin, Ben Tsiang, Xenia Chang

This film is a great deal like Full Circle also shown at SIFF this year.  Some old folks decide to hit the road.  In this case, however, it’s in Taiwan and the people are real.  What they’re doing is riding around the entire island over the course of ten days on motor scooters.  Poignant and fun.

Director:
Marc Rothemund
Principal Cast:
Lisa Tomaschewsky, Karoline Teska, David Rott, Maike Bollow, Peter Prager
Premiere Status:
North America
Country:
Germany
Year:
2013

You would think this would just be a grueling experience, watching someone go through 32 weeks of chemo, but it’s not.  It’s utterly compelling.  It may be because the main character is so beautiful, I know that’s part of it, but the story, itself was just enough unique and intimate, that it took me somewhere I hadn’t yet been, particularly when it comes to stories about cancer.  When it was over, I thought, well, that was amazing.  Of course, it only worked because the woman who played the girl with 9 wigs was perfectly cast and could pull off baldness and every one of those wigs with aplomb.  When that actress came up to the stage afterward alongside the real woman that the story is about (and who wrote it), and I saw that she had the same aplomb, I was extra blown away.  This is another one, by the way, in which I preferred the original title – this one was:  Today I am Blonde.

Country:
USA , 2013


Director:
Karen Whitehead



The subject of this documentary, Jini Dellaccio, an amazing and intrepid musician and photographer who changed the look and feel of rock photography from the early 60s through today, is what makes this film a must-see.  The film, itself, however, definitely leaves you wanting more.  Based on the conversation the producer/director and her editor (shared at the screening I went to in which the editor said that during editing she continually helped the director focus back on Ms. Dellaccio, I was under the impression that there was an unlimited amount of archival data available, both about the groups she photographed as well as about her own history and portfolio.  However, once the completely satisfying first half of the film involving the fascinating arc Ms. Dellaccio’s life, the film then seems to only focus on a few of the album covers and musicians she photographed and keeps reshowing those pictures to the point that it feels there really isn’t much material to work with at all.  I would like to have seen either more on the groups or more on Ms. Dellaccio.  Unfortunately, I got neither. 

Director:
Dayna Hanson
Principal Cast:
Dayna Hanson, Paul Matthew Moore, Jessie Smith, Wade Madsen, Dave Proscia, Pol Rosenthal, Maggie Brown, Jim Kent, Peggy Piacenza
Country:
USA
Year:
2013

A deeply local and personal film about putting on a show, created by and with the troupe that actually did put on the show here in the Northwest.  The extremes they go to in order to get a chance to do their thing are hilarious and marvelously over the top.  Very enjoyable and fun.

JUMP***
Ireland/United Kingdom, 2012, 88 min
Director: Kieron J. Walsh
Cast: Martin McCann, Nichola Burley, Richard Dormer, Ciaran McMenamin, Charlene McKenna, Valene Kane, Lalor Roddy

Enjoyable, somewhat heavy puzzle movie.  There've been others of these and they're always fun. Difficult to pull off though, making sure we get it when we rewind time and then go forward and when we see how each of the complicated intersects make sense. This one is pulled off well and is often quite funny. Light on the character work, but that's not the point. 

Japan
Director:
Kenji Uchida
Principal Cast:
Masato Sakai, Teruyuki Kagawa, Ryôko Hirosue 



This is just all kinds of fun.  Sometimes it's difficult to trust that a comedy for another culture is going to satisfy, or even make you laugh. This one pulls it off.  It's funny, poignant and has some lovely twists.  As is true for audiences in most mistaken identity farces,  you spend a good portion of the movie very concerned about how things are going to turn out. This one makes it seem hopeless and impossible for all the characters involved, yet somehow things untwist and play out happily and satisfyingly. Great fun.

Country:
Estonia , 2012


Language:
French, Estonian
Director:
Ilmar Raag


I really enjoyed the premise of this one: a woman who originally came to Paris from Estonia, long ago and who is now quite open sexually and sensually is having to deal with issues around aging and a new, unwanted helper who has just arrived from Estonia and quite closed down sexually and sensually.  It’s beautifully and subtly played by the stars of the film, most notably by Jeanne Moreau in fine form.

Italy
Director:
Marco Bonfanti 

Here's what I wrote down in my notes when this movie ended: His eyes. The screen filled with a sea of sheep, their heads white capping down the highways toward Milan. Fantastic soundtrack. Just when it starts seeming too long, a very sweet, even though (or maybe because of), staged ending. I don't really want to say much more.  Go see this.  It's a documentary about a shepherd.

Director:
Alexandre Castagnetti
Principal Cast:
Ludivine Sagnier, Nicolas Bedos, Jonathan Cohen, Arnaud Ducret, Brigitte Catillon
Premiere Status:
North America
Country:
France
Year:
2013

I preferred the French title:  Love and Turbulence.  This is another fluff piece that is absolutely worth it.  I always pronounce loudly that formulaic film is not a bad thing, you just have to be sure to use the structure well and do something wonderful with it.  Like Haiku!  This film uses the romantic comedy formula right and does something wonderful with it.  Pure entertainment, great fun, and you get to see LOTS of Paris.


USA
Director:
Adam Rodgers
Principal Cast:
Vera Farmiga, Andy Garcia, Taissa Farmiga, Spencer Lofranco,Tom Skerritt, Peter Riegert 

A fine romantic comedy with scenes that work and scenes that don't. Cringe worthy clichés are mitigated by moments of truly  wonderful filmmaking.  The actors are all great, though often as uneven as the film, with some very fun cameos.  

Director:
Markus Imhoof
Country:
Germany
Year:
2012
Running Time:
90 minutes
Producer:
Pierre-Alain Meier, Markus Imhoof, Thomas Kufus, Helmut Grasser 

This is my favorite documentary of the festival.  The photography alone makes it a cut way above the norm, but the evolution from issue of the honey bee's decimated population and the possible and hopeful resolution of that take it all the way to the top of my list.  Right away, because of this amazing photography and special effects, we are pulled deeply and intimately into the lives of honeybees. Once there, I must warn those of you who are sensitive, we experience horrendous and perhaps necessary choices on the parts of human husbandry that are pretty hard to watch. Once there, in that place of hopelessness and destitution, we are brought around to what might be happening naturally and possible human intervention to resolve the plight of our (I mean their) declining population.  

USA
director Joss Whedon,  cast Alexis Denisof, Amy Acker, Nathan Fillion, and Clark Gregg

Oh this is just so much fun!  Shot in 12 days and presented in black and white with the actors speaking Shakespeare’s words as they are written, it shouldn't be so light and airy, but it very much is.  Perfect.  Hilarious takes, physical comedy, wry, perfect line delivery and love.  For those of us who adore Joss Whedon, it's just another perfect blending of cast and story.  If you adore Shakespeare, this one is as good a version as you can get.  If you don't belong to any of these fan clubs, you'll still love it, because it's infectious.  It takes about two minutes to get used to the language and to forget you're not seeing color and to stop thinking about the fact that all the scenes take place in Mr. Whedon's house (well, you don't stop thinking about that, but it doesn't distract).  Go see this one.

Country:
USA , 2013
Running time:
102 minutes
Language:
English
Director:
Greg Camalier


Music lovers and music history buffs should enjoy this rich bowlful of performances, conflict, and lore from a small Alabama village that made its mark. You don't have to be a buff, however to be simply impressed with the story-telling skills of this filmmaker. Clearly he had a massive archive collection, which seems to make the difference between a good documentary and a great one. However, he also made the choice to include the story of the town, itself and the river as the metaphor and holder of spirit it very much is. 

USA, 2013, 85 min
Director: Penny Lane

My political views were shaped from Watergate, so I wondered, as I watched this, how younger folks would experience it. Funny? Horrifying? It doesn’t go as deep as the Pentagon Papers, nor as complete as listening to the many tapes surprisingly never erased from Nixon’s vaults, instead it just fluffs around the top of a few of the major players in the strange interplay during Nixon’s presidency using their own videography from the time and playing some of the taped conversations over these. Revealing a kind of revelry that turns very sour and a creepy retelling of the Emperor’s New Clothes.

Director:
Vivienne Roumani
Principal Cast:
Narrated by: Meryl Streep 
Country:
USA 

I would have been more satisfied with this documentary had I not stayed to listen to the director's commentary. To me, the conclusion of the film is that the digitizing of books isn't any different from other changes that have happened to the written word and our desire to share and partake of it. No worries - those of us who love to read and those who love to write will continue to do so, despite the changes in the tools. We as a culture would benefit from value shifts that cause more people to be interested and engaged and able to think outside the box. Reading and the other arts provide this. Seems like a good message. I certainly agree with it. Apparently, this wasn't the message. Actually, we're going down the tubes and can't stand to spend more than a few seconds reading a tweet. Eventually, even that will be a problem. Never mind Harry Potter - mentioned in the movie. Forget the abundance and availability of the written word as it's never been seen before - also noted. Now I don't know what to think. See this without the filmmaker and enjoy the varied and optimistic points of view presented. 

United Kingdom 2012, 105 min
Director: Marcus Markou
Cast: Stephen Dillane, Georges Corraface, Georgia Groome, Selina Cadell, Ed Stoppard

I was planning to love this, but just couldn't. It's very sweet and that's the problem. The formula is set quite clearly as stuffy brother forced to get his hands dirty and carefree brother forced to grow up. This is a wonderful formula, seen in many great comedies, the always enjoyable Sabrina,  for example.  The brothers start out in what looks like these conflictive states, but really turn out to already be where they need to end up. So the plot moves from A to B (thanks Dorothy Parker). This lack of movement results in nothing compelling and no reason to be drawn in. The acting is great, the movie is well cast and of course, the  music is wonderful as one might expect from a  comedy about a Greek family, so go for these reasons. 

Director:
Sophie Fiennes
Principal Cast:
Slavoj Zizek
Country:
United Kingdom
Year:
2012

Slovaj Zizek is a renowned sociologist/philosopher who speaks eloquently for a living.  He and the director Sophie Fiennes (sister to Ralph and Joseph), had already created a huge examination of film history called A Pervert’s Guide to Cinema.  This is their sequel.  Much less huge and more focused, it’s an enjoyable chunk of time wherein you listen to Zizek wax on about film and its relationship with religion and other forms of ideology, explaining, of course, what that term means.  The humor and film references make it fun, yet aren’t just there for the entertainment factor. They serve, also, to drive all the way home interesting perspectives and points.  It’s like the very best college lecture ever.



France
Director:
Régis Roinsard
Principal Cast:
Romain Duris, Déborah François, Bérénice Bejo, Shaun Benson, Mélanie Bernier, Miou-Miou 

This is a wonderful, sherbet colored homage to edgeless romantic comedies of the late 50s.  It did such a good job of this, it made me think fondly of many a Doris Day film. Of course, this was French, so there was also a pretty steamy sex scene that Doris would never have agreed to...  My only complaint is that the male romantic lead always has the same expression on his face, and it's not a very attractive one. Perhaps that's on purpose so the audience can keep its distance and not get too deeply involved in the inane and plot. Inane it is, and strangely charming and strangely refreshing. Interesting sociologically, this film really seems to get what these movies were about. A fun romp.  

Director:
Sini Anderson
Principal Cast:
Kathleen Hanna, Tobi Vail, Kathi Wilcox, Johanna Fateman, Kim Gordon, Adam Horovitz, Carrie Brownstein, JD Samson, Corin Tucker, Allison Wolfe, Joan Jett
Country:
USA
Year:
2013 

An astute and rich documentary filled to the brim with history, music, and story.  I was pretty much unaware of the Riot Grrrl movement, other than knowing the name.  I am now full up with facts and feelings about it.  I'm also astounded at the bravery and vulnerability of this movie's subject,  Kathleen Hanna.  You will be as well.  Go see this one.

Director:
Zero Chou
Principal Cast:
Michelle Chen, Ivy Chen, Jerry Yen, Simon Yam, Joseph Cheng
Premiere Status:
North America
Country:
Taiwan

A grand opera of a Chinese folk tale.  Not as many dismemberings as can usually be found in this type of film, but there are some, for sure, though there’s not near enough sword play and dance combat as you might have wanted.  There’s a bit of humor in the sprawling and multi-linear plotlines, but nothing ends well and no one really gets what he or she wants.  This should be expected from such a story, of course.  Nonetheless, this is a marvelous eye-feast, sumptuous and rich with sinister evil and pure innocence, irretrievable tragedy and abiding heroism.  Hard to beat, really.

>>>Shadowed**
Director:
Joey Johnson
Principal Cast:
Sean Nelson, Conner Marx, Erwin Galan, Tara Simmons, David Hogan, Alison Monda, Sean Nelson 
Country:
USA
Year:
2012 

This one didn't get there for me. The plot was somewhat predictable, yet implausible. The characters were undeveloped and therefore quite irritating for those of us insulted by stereotypes. Still, there was some intrigue and some good moments, and it was shot here, so it gets 2 stars. 

Director:
Abigail Child
Principal Cast:
Eileen Ryan, Nick Wilding, Aurelia d'Antonio, Richard Wittman
Country:
USA
Year:
2012 

I found this art film far too irritating to my senses to sit all the way through, though I stayed longer than half the movie. Too many high pitched, strident sounds and split screens for me. The story might have been interesting, it was, after all, about Mary Shelly, the novelist and her husband, the poet, but it was presented more like a soap opera, attempting to shock with the free love and infidelity of their lives, without setting us into the 19th century so we could experience it with eyes from that time.  

SHORTS:  two must-sees - Walking the Dogs and Ouverture

USA 2013, 96 min
Director: Destin Daniel Cretton
Cast: Brie Larson, John Gallagher Jr., Kaitlyn Dever, Rami Malek, Keith Stanfield

This is one of my favorites. Charming, heart-warming, frightening, satisfying and full of hope, this is a small and enjoyable film that should have been a complete downer, yet was anything but. I had the advantage of viewing this with my friend Paulette who has worked at a facility like the one depicted here, and she assured me that there really were amazing people like the characters in this movie.  This made me feel free to imagine horrible childhoods and awful, untenable situations as changeable.  A strong script with mostly realized and complex characters and an equally strong cast put this one over the top for me.

SOMM****
Country:
USA , 2012


Language:
English, French, Italian, German
Director:
Jason Wise


A highly suspenseful and enjoyable doc about a handful of men, all friends, who are studying for and then taking the Master Sommelier test.  The test, apparently, is very, very difficult to pass and we see, in the course of the film, why that is so.  Wonderful.  Lots of wine.  Plenty of emotion. 

Canada
Director:  Sarah Polley.  

I keep talking to people about this one, and keep saying "Sarah Polley is a GENIUS", and keep thinking when I write this down that I just won't be able to put that vocal inflection into my written commentary.  So try to imagine me saying that quoted portion.  Here's the thing.  Ms. Polley, a gifted director with "Away from her" and "Take This Waltz" already under her belt, decides to film her family and some revelations that have occurred about her own origins.  Then she peels off a layer and shows us what that meant to her family and how they felt about being filmed, and then she peels off another layer and shows us how things were 30 some years ago and how people looked and how they acted and how things happened, and then she peels another layer off and then another, and finally, and most importantly, she pulls all the layers off.  How she can go so deep, and why she would when she had a good enough story to begin with, is also explained by what the people say to her as she films them.  She gets the whole thing in all its depth, through multiple, brilliant techniques, that she then reveals to us, and we get to go in there with her.  Just genius.  This one is a must-see.

Ireland/United Kingdom 2012, 100 min
Director: Nick Ryan

This is another documentary with a definite slant, this time for the story that wasn't told in the media about the heroics of one of the climbers of K2 in 2008 and the questionable behavior of others.  Since this side of the story wasn't told, this movie matters, but the slant ended up getting in the way of the experience for me, especially as the story winds itself to the tragic end.  Still, it's a nail-biter and clarifies, yet again, the incredible drive mountain climbers have and the incredible, variable obstacles to reaching the top of mountains.

Director:
Cullen Hoback
Principal Cast:
With: Danah Boyd, Doug Rushkoff, Margaret Atwood, Mark Zuckerberg, Moby 
Country:
USA 

This is a must see for everyone. Not that knowing how extensive our lack of privacy is today will change that fact, but more of us having the level of information and awareness that this very thorough film offers may make a difference in times to come in terms of how our personal information is used. That is the power we have to wield and it's everything. 

Director:
Lynn Shelton
Principal Cast:
Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page
Country:
USA
Year:
2013 

I can't help but love everything that Lynn Shelton creates.  Whatever it is about her films, they vibrate at exactly the right frequency for my sensibilities.  It's gratifying then, to see her become very popular and sought-after.  It's also a relief that this fame has in no way depleted her energy or tainted her unique work.  Touchy Feely is a wonderful, pleasant movie.  Though she makes little use of the adlibbed performances of her previous films, her characters continue to be quirky and real and her actors able to fully embody their complexity.  This one is a particular love song to Seattle.  Those of you who follow the local music scene here will love Tomo Nakayama's soul stirring performance.  Energy workers, particularly energy workers who are dentists (Paul R - that's you), will also feel treated by this film.  This is really a very simple story yet contains moments where each of the actors give their all and leave you quite breathless - either because you are laughing loudly, or hurting to your depth.  

Director:
Bill Siegel
Country:
USA
Year:
2013


Informative and compelling documentary that focuses on the fighter and the fights, but not the bouts. Dives right in to the complicated morass of the black American Muslim movement of the 60s and dovetails nicely with The Warmth of Other Suns which I'm currently reading with my book group and which chronicles the evolutionary migration North of Southern African Americans in response to Jim Crow oppression. 


Australia
Director:
Anne Fontaine
Principal Cast:
Naomi Watts, Robin Wright, Xavier Samuel, James Frechevile 

Gorgeous women and gorgeous men.  Should be wonderfully titillating as these women sleep with each other's sons. Because both boys have known both women since they were born, and because i have raised children in a non-traditional family structure, I can only define what they are doing as incest, and just can't enjoy it. The film, itself, sort of points out how destructive these actions can be, but, like the mothers, just can't seem to stop itself. By that take, then, this is really just semi-pornographic, and if that's the case, then I'd rather have seen Robin Wright sleeping with Naomi Watts, so there. 

>>>Unfinished Song**** 
Director:
Paul Andrew Williams
Principal Cast:
Terence Stamp, Vanessa Redgrave, Gemma Arterton, Christopher Eccleston 
Country:
United Kingdom
Year:
2012

With Vanessa Redgrave and Terrance Stamp at its helm, there can be no apologies that this one is a weeper.  Sweet and unobtrusive, it's a pleasant entertainment.  I have to admit it took me a few minutes into the film to get over the fact that my favorite Doctor Who was playing the son.  But that's just me…

THE WALL*****
Austria 2012, 108 min 
Director: Julian Pölsler 
Cast: Martina Gedeck, Ulrike Beimpold, Karlheinz Hackl, Wolfgang M. Bauer

This is a movie that provokes an inner journey. It is intense, sometimes difficult to watch and deeply beautiful. The wall works very well as a metaphor and quickly becomes unimportant as ideas of humanity and connectedness take and overwhelm. In these explorations, performed by a woman suddenly alone and the animals she takes on and befriends, it looks like this is a mood piece.  You certainly know quite early on that there will be some loss to contend with, but there is also poignant and challenging action and plot twists you don't see coming. In the end, this could be one of my favorite movies of the festival. 

Director:
Jim Rash, Nat Faxon
Principal Cast:
Steve Carell, Toni Collette, Allison Janney, Sam Rockwell, Maya Rudolph
Country:
USA
Year:
2013 

This movie kept reminding me of one I saw when I was younger called Meatballs starring Bill Murray.  Then I read somewhere that it was an homage to such coming-of-age films from that earlier era, so there you have it.  Even though it harkens back, I found it a bit better than those films, a tiny bit less sexist, quite a bit more funny and much more poignant.  It's got a great cast of course, Toni Collette, Steve Carrel, Alison Janney, for starters, and lots of bite amid the sweetness. Fun and satisfying. 

USA 2012, 93 min
Director: Scott McGehee, David Siegel 
Cast: Julianne Moore, Steve Coogan, Onata Aprile, Alexander Skarsgård, Joanna Vanderham  

It's a fun film, well acted with a predictable, though outrageous outcome.  it's quite charmingly romantic and the little girl is cute as a button, but really, for me, it is mostly a horror story.  By being set from the point of view of this very believable child character, the film lets us know how completely vulnerable children are in their worlds and how easily mistreated even through the best of intentions (which are quite rare here). That's hard to watch, and so, since the movie really ends up as a romantic comedy, I'm not sure the balance works. 

Director:
Annemarie Jacir
Principal Cast:
Mahmoud Asfa, Ruba Blal, Saleh Bakri, Ali Elayan, Firas Taybeh
Country:
Palestine
Year:
2012

The device of presenting the tragedy of war from the viewpoint of a child is one that works brilliantly more times than not.  Where we might not otherwise look, we must.  Here, it is a lovely and soft story in an ugly moment in mid-east history, the Six day war.  We follow a young, very independent boy as he insistently attempts to find his way back to the home he is a refugee from.  His mother and a group of insurgents involve themselves in his journey.  We who watch know very well things don’t turn out at all well for these people, but we must watch.  It is a wonder and a pleasure how much beauty and warmth are squeezed from this dusty, dry and hopeless landscape.


Director:
Mamoru Hosoda
Principal Cast:
Voices of: Aoi Miyazaki, Takao Osawa, Huru Kuroki 
Country:
Japan
Year:
2012 
 If you adore big-eyed Japanese animation, this one is lovely. There are a few moments that give one pause (as they involve bestiality), and it goes a little long, but I enjoyed the story and loved the experience of watching two little children grow up and choose their destinies.  There are moments that are wonderfully endearing, particularly involving the children shifting between human and wolf (baby and puppy, really), that have stayed with me.

Director:
Isabelle Coixet
Principal Cast:
Javier Cámara, Candela Peña


Country:
Spain
Year:
2013


A grueling talkie wherein a separated couple tries to work out the tragedy they share and the rift it created between them.  Bleakly filmed, with incredibly brilliant acting, and not really enough of a catharsis to make it worth it for me.

Director:
Justine Malle
Principal Cast:
Esther Garrel, Didier Bezace, Emile Bertherat, Lucia Sanchez
Country:
France
Year:
2012

A tedious and unpleasant film that seems to be relying on the fact that it is directed and written by the daughter of Louis Malle, rather than attempting to prove skill beyond it.  The casting is probably the most problematic, its star not able to produce real tears, nor garner any real sympathy from the audience.  Next in line is the script, again, not really designed to bring us in to the story, but to keep us at a distance.

Monday, June 11, 2012

SIFF 2012. New Reviews and Final Rankings

SIFF 2012 is officially over! I've published some new reviews and completed the rankings for all the films I saw. I've still got about 10 reviews to complete, so expect those soon. These reviews remain useful as Siff will be showing lots of these films in the coming months, and others will be showing up in regular release or as DVDs. Looking forward to next year...

Diana

Wednesday, May 16, 2012

2012 Reviews

I'm using a star system this year, 1 is bad, 5 is good. Alphabetical. Newest marked with >>>

360

United Kingdom, 2011, 115 min.

****
Numerous engrossing small stories linking together to form a larger cohesive one. Like Babel, except the stories each end on a hopeful note, and Crash without the overt social commentary. I loved this one because it takes you to the edge, gets your adrenalin running, and then doesn't push you over. It's quite a kind movie, really, though looking over into that abyss isn't everyone's cup of tea.


Las Acacias
Argentina, 2011, 85 min

***
A sweet story that moves at a teeth gritting almost real-time pace following a trio traveling in a rattletrap truck from the Paraguayan border to Buenos Aires. I certainly felt like I made the 900 mile trip myself as Argentinian brush and desert rumble by out the truck windows, and I marveled at how
the shots of the gnarled man driving, then back to the comely woman and her incredibly cute baby in the passenger seat, then out to the two side mirrors were accomplished. Did they travel the same road over and over again with the cameraman taking one position then the other? There were no over-the-shoulder shots, so I'm guessing the cameras were not unmanned. The point is, I had plenty of time to ponder these things. If it weren't for the baby, this movie would be stunningly dull. As it is, it's rather a sweet baby-watching opportunity with a nice ending.

The Art of Love

France, 2011, 85 min.

***
A fun French romantic comedy. Plenty of sex and witty repartee. I love julie Depardieu, and she doesn't disappoint here. Enjoyable, slightly shocking fluff.

As Luck Would Have It

Spain, 2011, 98 min.

***
This film wants you to believe it's a comedy until the very end. So I've just spoiled it for you. It's good social commentary and asks the what's right and what's wrong question very well, but it would be better served billing itself as the drama it is and surprising its audience with the brilliant humor interspersed rather than the other way around.

>>>Beasts of the southern wild*****
A difficult, mythical story told beautifully, hauntingly, and fantastically. From the prospective of a very young girl who lives on a slightly fictionalized island with a group of wildlings outside the levees of new Orleans, a natural disaster and it's aftermath are experienced. This is the strongest, bravest little girl in the world and she's a true pleasure to get to know.
The 6 year old star, Quvenzhane Willis, wins my vote by a landslide for best actress. There is good reason this movie won the grand jury prize this year at sundance.

Bestiaire
Canada (Québec), 2012, 72 min.
*
Quite a depressing film in which animals and humans alike show few emotions. All of the animals in this film are captive, which is made abundantly clear and depressingly obvious through shot after shot of ugly fencing and cement combined with bored or frustrated zoo animals. These are juxtaposed with zoo keepers and taxidermists at work. The point is made and rammed on home.
>>>Beware mr. Baker***
A fully revealing music doc with something for everyone. If you're wondering whatever happened to ginger baker, here you go. If you've never heard of him, here is a great piece of music history. If you enjoy seeing a filmmaker get abused (in all ways), and witnessing lots of conflict and drama in a documentary, this one's for you. Finally, if you're looking for an opportunity to see and hear some fantastic classic rock, and drumming in particular, this is it.
Camilla Dickinson

USA, 2012, 117 min.

***
Based on an early story by Madeline l'engle, this is a languid (the director's word) film, with the look and feel of new York in the 1940s. The story is a mild, coming of age tale with numerous family dramas, and no sci fi
(which might be expected, if you're a Madeline l'engle fan). The actors are beautiful and talented. The movie is muted and lovely. Not perfect is the soundtrack which I found overdone to a fault. Gentle emotional scenes kept getting pummeled by huge sweeping orchestrations. Very distracting, and since, in my opinion, soundtrack is half the movie, rating dropping.

The Central Park Effect

USA, 2012, 60 min.

*****
A great portrayal of the incredible variety of birds populating this last bastion of natural habitat on the Atlantic seaboard as well as of the multi-colored persons who watch them. A treat for the eyes.

>>>Chasing ice****
Incredible footage of incredible footage! This film follows a years long project of national geographic photographer James Balog as he and his intrepid assistants set up cameras at various glaciers around the world. The idea is to track the ice loss over a three year period. Once completed, this footage presents the inevitable conclusion that global warming is indeed a reality. The footage itself and the process of capturing it is compelling and beautiful, dramatic and tragic.


>>>A Checkout girl's big adventures***
This romantic comedy is a little too predictable to go high on the list. The characters are lightly sketched, with the bad guy particularly unreal, and most of the conflicts just can't be bought even with the strongest suspension of disbelief. Still, you can eke out some fun and enjoyment from some of the dialog and a few good action moments.


Cloudburst

Canada, 2011, 93 min.

****
I thoroughly enjoyed this film even though some of my friends thought that the very butch role played by Olympia Dukakis was a caricature. I didn't experience that and felt that all three of the main characters were unique and enjoyable. The plot choices that went for shock and pat endings kept this from being a five star movie for me, but it's still a great experience.

>>>Coteau rouge***
A farcical blackish comedy from Quebec that walks up to the edge and jumps off. Fun if you're okay with people getting away with (justified) murder.


>>>Cousinhood****
Another pleasurable comedy in which s number of boy-men grow up. Despite the well-worn formula, the action is quite unpredictable and fun. The characters are quirky and ultimately charming. Expect to enjoy yourself.

The Crown Jewels

Sweden, 2012, 120 min.

**
An almost great movie, well filmed, well acted, but the story falls short and the way it's put together with flashbacks from a police interrogation feels stilted and overly dramatized. It's a great idea with fantastical elements and those should have been emphasized over the murder mystery it tries to be. The murder mystery simply renders the fantasy laughable.




The Do-Deca-Pentathlon
USA, 2012, 90 min.
****
Charming brother/pal movie that goes deeper than expected. The pace is actually quite thrilling, the characters are likable, eventually, and the message is satisfying.

>>>Dragon***
Beautiful cinematography and strong story buoy this martial arts film. This one is in the swordplay and dismemberment tier of the genre, so a strong stomach is called for. There is also the threat and evidence of child murder, not untypical in these films. Aside from those heavy points, the music is grand and the scenery sweeping, lifting this one up.

Earthbound

Ireland, 2012, 90 min.

***
It rather looks like this charming film from Ireland is going to end on a downer note. Then it doesn't. Goofy fun.

Elena
Russia, 2011, 109 min.
*
This is a slow moving film with long, unnecessary shots of dead trees, and no redeeming quality at all. Here's the thing, if you're going to move your camera rarely and watch people doing tedious things, you have to be all the more careful with your continuity. A particularly irritating gaffe then, was spending the morning with a woman and her husband and watching her put every piece of clothing on then hearing her discuss what she's going to do that day, then seeing her doing the thing she discussed she was going to do...in an entirely different outfit. Even though there is murder and mayhem, the movement and pace of this film are deadly and repetitive. Ironically, as I was watching it, I thought to myself, this movie reminds me of a Philip Glass piece - tuneless, repetitive, irritating - then the credits showed that the very composer himself did the music (which was sparse, indeed), for the film. It figures.

The Eye of the Storm

Australia, 2011, 114 min.

***
Incredible cast in a fairly cynical film. Beautiful and careful cinematography take it way, way up. Charlotte Rampling, Judy Davis and Geoffry Rush deliver as expected. But really, no one gets anywhere but back where they started, which is a pretty depressing place. I left feeling quite empty and way way down.

Fat Kid Rules the World
USA, 2012, 98 min.
***
Character studies that go at least a bit below the surface. Fun and poignant, but there are still too many scenes wherein the titular boy is shown gorging himself on food. This serves to bring the attention as per usual to fatness as grossness - not really rising above this stereotype.

>>>Finding north***
Important doc about poverty and hunger in America...today. This compelling film uses real people and historical documentation to consider how we came back from almost eradicating hunger in the united states in the 1970 to 200 million people living here now who don't know where their next meal is coming from. Strong clear arguments with some hopeful ideas for change. The title to this film is based on a great t-bone Burnett song written specifically for it (he, in fact volunteered to do all the music). The plan is to release the movie with a different title more descriptive if the content. This is well worth seeing, so keep your eyes and ears posted.

Found Memories

Brazil, 2011, 98 min.

****
I'm still pondering this absorbing film. It's beautiful and rich with witty moments. It's also a bit spooky, almost twilight-zoney. Or is it? Just as a sensual experience, I'd say this is worth seeing, if you aren't turned off by slow pace and lingering camera work. After that though, this is a curiosity that leaves you with some lingering questions. Sometimes that's awful. Not this time.

>>>Free throw**
A contrived (really, the filmmaker created a contest so he could film it), documentary about kids from a very tough school (Compton high - most known for its atmosphere of violence), who have a chance through a contest to break out and go to college). It's all good news and one does wonder if the bad has just been edited out. However, the good news just gets better and it's a pleasure, biased or not, to watch some great kids display their greatness.

Gimme The Loot
USA, 2012, 81 min.
***
A pleasurable non-violent take on a few days in the lives of a couple of teenage graffiti artists in NYC. At times I had to suspend disbelief at how innocent everyone remains, and I'm still not sure how I feel about that, but this was a window into a world that might otherwise be too hard to watch. Fun, absorbing, and quietly witty.


Golden Slumbers

Cambodia, 2011, 96 min.

*
Poorly executed documentary about the lost films of cambodia. The material is interesting and compelling, but the editing and arrangement is awful. It's practically a tragedy as you pry open your half closed bored eyes and come upon this amazing poignant moment wherein a director fighting his tears describes his unwanted life changes that occurred during the pol pot regime and then jump back to dull, meaningless montages and show-off camera work that adds nothing. What's left of the lost films is finally shown at the very end when you're so ragged out you could care less. Too bad.
The Great Bear

Denmark, 2011, 73 min.

****
A fun and imaginative animated film from Denmark. Numerous scientific gaffes keep it from being perfect (and it's maybe questionable to ask for good science from so fantastical a tale - yet we must, for fantasy must derive from reality), but it's definitely worth seeing. Side note: this film was dubbed, but we noticed the mouths seemed to move matching the English words. Danish does often seem to agree with English rhythmically.

El Gusto: The Good Mood

Ireland, 2011, 88 min.

****
Right away the music gets you. Then the rare treat of getting to see the casbah in Algiers. Finally, these charming men and their rich stories. All combined and then moved along to a very moving concluding concert wherein they all meet again. The editing could use some tightening, but otherwise this is a great pleasure.
High Ground
USA, 2011, 90 min.
*****
Very moving, fantastically filmed documentary about some veterans who climb a mountain. I was moved to tears a number of times when the camera lingered and what was unsaid came through beautifully, painfully and honestly.


How to Survive a Plague
USA, 2012, 110 min.
*****
This is a very compelling documentary chronicling the Aids epidemic from 1981 when people began dying to 1995 when people began to get better. It is mostly action footage, the filmmakers really did an impressive job of gathering and editing Act UP meetings and demonstrations as well as home movies. Combined with interviews from then and now and an incredibly impactful ending it a top notch and moving/hopeful/grief-filled historical document


The Intouchables

France, 2011, 112 min.

****
The blurb points out that this movie is the third most successful in France - titanic being the first. I hate to see lovely little films like this hyped that way, because usually the reason they are so popular is because audiences went to them with low expectations. That changes in the arc of time and later audiences wonder what the big deal is. This movie is not a big deal, but it is sweet and enjoyable. It doesn't teach us anything (unless you didn't think black ex-cons could be nice, or rich people could desire honest interactions), and it's pretty predictable. But it's nice. The acting is great. The minor characters have depth. The plot is satisfying. That it's 'based on a true story' matters not. It's a good story, and that matters.

>>>Italy, love it or leave it***
Tongue in cheek exploration of the various reasons to move away from Italy. This is achieved through a series of whimsical (made more-so by the choice of car, tiny fiat500s - different colors each time), trips to parts of Italy exemplifying various problems with the country, but really also showing those of us not from there a great deal we have never have seen or known about. The couple who narrate this film are charming and smart and conflicted, this adds to the depth (and gay perspective). There's lots to despair about, but even that, in the end, lends this ancient land its character. Well filmed, funny and an enjoyable journey.

>>>Kiss me**
Satisfying enough love story for those of us desperate to see lesbian romances. Not much spark, unfortunately between the two leads. The parents, on the other hand are very chemical. I was impressed with the realistic script and, in particular how the couple's current lovers respond to being left. Of course this makes the movie that much more of a downer.
Liberal Arts
USA, 2012, 98 min.
****
Delightful characters and characters with character. A wonderful smart journey through what your age means and where it places you in the world. The whole cast is mesmerizing. Look for and enjoy a particularly acerbic Alison Janney.

Lucky

South Africa, 2011, 100 min.

***
This is a formula I like very much. An irascible elder and a brave, needy child find and uplift each other. This one is a little south African boy from a small village and an elderly racist Indian woman in the city. It's a Nice script and the movie moves along satisfyingly. Just sweet enough.

Love Free or Die

USA, 2012, 83 min.

****
I've seen Gene Robinson, the first openly gay episcopalian bishop, in other docs, including one of my favorites from a few years ago, 'For the Bible Tells Me So', so I thought this one might be a rehash. Not so! This one looks within the church and follows the slow movement toward change. The bravery of gene as he holds his own and absorbs all as the sole representative for so long is immensely moving. What happens in this film is also immensely satisfying. I was lucky enough to be at a screening with the director who is an eloquent speaker and I learned quite a bit more about film's subjects after it was over - too bad this couldn't be tagged onto the film!

Madrid, 1987

Spain, 2012, 105 min.

***
Though pretty squirmy (especially for those of us with smart dads), this film about a respected journalist and his grandaughter-aged interviewer being trapped naked in a 'grungy bathroom' remained interesting and compelling. The sex part has to be there, and his arrogance, and her poutiness, yet the dialog and action goes beyond these cliches into a rarer and realer place.



The Mexican Suitcase
Mexico, 2011, 86 min.
****
A perfect combination of artful, historical and personal documentation. This one uses the recent discovery of long-lost photos taken by very famous photojournalists during the Spanish Civil War as a jumping off point. Then it explores the variances of war photography, personal versus literal history, archeology, and immigration. There is much to learn here about that particular war, those particular photographers and much more, including the wondrous generosity of the country of Mexico.

Paul Williams Still Alive

USA, 2011, 84 min.

*****
A truly unique documentary in which the filmmaker injects himself and, instead of ruining it, enhances and enriches the film. The story of Paul Williams on it's own is a good one full if despair and redemption. Watching him having to absorb who he was in the presence of this fan camera is an excellent and real experience. This screening was of course turned into one of my top tens because of the presence of the filmmaker and the subject. The reason for going to SIFF made abundantly clear, yet again.
Polisse
France, 2011, 127 min.
***
An extreme downer, with an inappropriate ending (in my opinion), yet fully engrossing and effective. I was left with images from this film for days afterward as it sunk deeper into my psyche. This would have made me angry had these images not been profound and growthful.


Sacrifice
China, 2011, 130 min.
**
Just what you'd expect from a big budget Chinese film based on a popular opera. Over the top drama with lots of gorgeous sets and costumes. There is some animal and infant death in this one that makes it tough to watch. There's also the question about how the actual animals were treated during the filming - the horses in particular, that lowers the recommendation factor.


Safety Not Guaranteed

USA, 2012, 85 min.

*****
This romantic comedy goes for it and comes up shiny. A must see. Filmed in Seattle and Ocean Shores. Very fun and thrilling. Great cast. Great direction. Great script.


Sleepwalk With Me
USA, 2012, 90 min.
***
A short, funny, forgettable walk through one man's examination of what he really wants in life. The moral is pretty standard anti-romantic (and semiconscious), but the sleep disorder device makes it very fun to watch.

The Standbys

USA, 2012, 75 min.

****
This doc follows the career trajectory of three people who work on broadway as standbys which as you learn in the film is similar to an understudy, very different from a stand-in, and not as difficult as a 'swing'. It's a great opportunity to learn more about the insides of theatre life as well as to watch some extreme talent in action. These people are truly amazing and you are quickly pulled in emotionally to the highs and lows of their lives. A ride, for sure.
Starbuck
Canada (Québec), 2011, 109 min.
*****
A man/boy grows up in this charming, warm and witty film. It's a great ride, well worth the journey. The lead actor in this film is perfect gruff and soft balanced, with all the supporting characters written with depth and acted with warmth. Loved it and its messages about responsibility and the family called mankind.

Step Up to the Plate

France, 2011, 90 min.

**
Wow, I wouldn't have believed a foodie movie could be dull until I went to this one. Scene after scene of people gazing meaningfully out at bucolic settings could not be uplifted by the few plating and food designing moments. The plot had to do with a father giving up his high place in the French culinary echelon to his son. Since it's clear right away that this was not really going to happen, there was actually no plot at all. Thus the meaningful gazes were all for not. A snorefest. Ah well.

>>>Sunny*****
This great film from south Korea is a really enjoyable journey into the lives of some fascinating female characters. The story is well structured moving between the present the childhoods of these women the pace is fast and absorbing and emotional. As a side note, there's quite a bit of violence, surprising to me, but necessary to the plot. Most importantly these are really smart, tough and heroic women.

Superclásico
Denmark, 2011, 99 min.
****
A very enjoyable romantic comedy from Denmark set in Buenos Aires.
The setting alone makes this film with seeing, with satisfying cinematography and witty scenes involving wine and soccer rivalries. Unexpected and slightly shocking moments also highlight this film. It would have been even better without the use of narration which pulls the viewer out of the experience.

Teddy Bear
Denmark, 2012, 93 min.
**
Bit of a one liner in which a giant bodybuilder is completely cowed by his teeny tiny little mother. It's a bit sad, but ultimately redemptive as he finds his way out of his childhood home.

Three Quarter Moon

Germany, 2011, 91 min.

***
Here's that formula I like again also seen in the movie, Lucky. Old and young changing each other's lives. This time, it's a cute little Turkish girl and a grumpy, racist German taxi driver. Pleasantly moving.


Trishna
United Kingdom, 2011, 113 min.
**
A remake of Tess of the D'ubervilles set in modern day India. A painful tragic story made even more pathetic and raw in this setting. Told well, filmed well, but I wasn't happy to be put through the inevitable awfulness again.


Under African Skies

USA, 2012, 101 min.

*****
Fantastically done documentary that's practically as good as it's subject, the Graceland album by Paul Simon. The controversy surrounding the production of this album is faced head on and makes a very good argument for the artist and art as transcending politics and potentially creating change on a far more evolutionary level. This argument is amazingly achieved without undermining the importance of the political process. That said, the actual performances by the artists then and now are what move you, right down to your soul. I was brought to tears a number of times by these beautiful and brave musicians. The audience at the particular screening I went to not only applauded, but kept clapping to the transformative music's rhythm throughout the credits.


Valley of Saints
India, 2012, 82 min.
****
Providing the expected vivid color and richness of a film made in India, this film is a pleasant visual journey to a lake in Kashmir. It's never heavy, the lilting guitar musical score offering that clue, but it's a compelling and tasty story.



War of the Buttons
France, 2011, 109 min.
****
Very reminiscent of late 60s era Disney films. Sweeping music, gorgeous landscapes and innocent crowds of children as foreground to the darker backdrop of war and other evils. Innocence, of course, is what prevails. So, this film is a bit dated, and nothing new, but definitely appeals to the nostalgic and sentimental portions of my soul (which are rather large). Also, it's in French.

>>>Welcome to doe bay*
I'm sure this festival is fabulous, but its fabulousness is not captured in the film. Except for a few solo numbers shot in the woods, the sound and camera work are poorly executed. Music performance is extremely hard to capture, and I'm sorry to say that the crew just weren't up to the task. To bad, because it looked like these were really great musicians. So, without the musical performances, what we're left with is a great many producers and local music critics tooting about how unique and amazing they are. As someone who attends This gets a bit old, to say the least.


Wonder Women! The Untold Story of American Superheroines

USA, 2012, 62 min.

****
Good fun and interesting facts about wonder woman's inception. For me, most of my heroes and roll models (including ripley and Gloria Steinem and forgivably excepting Honey West) were there for my enjoyment and hoots of approval. There are also a few cringey moments making it clear how difficult it continue to be for young women to find heroes and role models.



Year of Grace
Spain, 2012, 90 min.
*
I'm all for formulas - I think working within a structure can make a film blossom and exude color - as words do within Haiku. This, however, was an example of formulaic film making with no blood. Young man just looking to get laid and begin his life meets old crabby woman. We're looking for a transition here, and it doesn't happen until the last five minutes of the film and is completely, ridiculously pat. A dead bird and a tedious few hours later, I was unhappy and unfulfilled.


Your Sister's Sister
USA, 2011, 90 min.
*****
Lynn shelton's latest film. A real gem - sweet, romantic and northwesty.